🔥 今日热播

我的爸爸是个花花公子

评分 9.2 类型 动作 年份 2026

  A ladies' man is forced to change his ways when he's suddenly saddled with the daughter he never knew about.

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热播 9.3

怪谈晚餐

朴昭怡,刘多仁,尹贤旻,张光,李周英,金周灵,高恩敏,李素英,吴承姬,张睿恩,张丞延,金太竣,潘素英,申银秀,金浩贞,金东英,申文成,金太勋,赵在允,崔秀林,朴真雅

9.1

阴阳眼见子2025

原菜乃华,久间田琳加,奈叶,山下幸辉,堀田茜,吉井怜,高冈早纪,京本大我,泷藤贤一

4K 8.9

全力扣杀

何超仪,郑伊健,郑中基,谢君豪,梁汉文,刘浩龙,林敏骢,邵音音,鲍春来,王琳

9.0

爸爸做的早餐

路易丝·加布里埃尔·布罗温娜,尤里·科洛科利尼科夫,凯特丽娜·斯皮茨,波琳娜·马克西莫娃,瓦伦丁·佩尔卡,迈克尔·波利采伊马科,尼基塔·塔拉索夫,克里斯蒂娜·谢帕瓦勒瓦

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奥利弗斯通

金基石

金容华

许秦豪

谢飞

赫尔措格

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附身

主演:阿比盖尔·布雷斯林,大卫·休莱特,史蒂芬·麦克哈蒂,彼得·奥特布里奇,米歇尔·诺尔顿,萨曼莎·温斯坦

 1985年,浓雾笼罩的郊外,周日早晨少女丽莎·约翰逊(阿比盖尔·布蕾斯琳 Abigail Breslin 饰)被弟弟罗比(Peter DaCunha 饰)吵醒。她颇感烦恼地起床,按照妈妈(米歇尔·诺尔顿 Michelle Nolden 饰)的指示洗衣服,爸爸布鲁斯(彼德·奥德博拉治 Peter Outerbridge 饰)则在地下室修着汽车。看似平凡无奇的普通人家,却弥漫着诡异神秘的气息。不知曾几何时,丽莎发现每天重复着同样的内容,家人反复干着同样的事、说着同样的话、度过同一个浓雾笼罩的周末。她尝试改变这一切,然而无从下手,此外更有带着死神气息的男子警告丽莎不要破坏当前的一切。无法忍受折磨的丽莎,不可避免落入过去、现在和未来的夹缝中,局势完全失控……

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安息2

主演:Nick Principe,Brian Austin Green,Thomas Dekker

  经过上一集的惨烈屠杀,汤米(汤姆斯·德科 Thomas Dekker 饰)侥幸和一名女子逃生,然而厄运如影随形,一名衣着考究的神秘男子追踪到了二人暂时栖身的小旅馆,以类似的手法残忍杀害了那名女子,汤米则在此之后下落不明。与此同时,神秘男子投入大笔金钱抢救了徘徊在死亡边缘的面具人(Nick Principe 饰)。苏醒后的面具人更加残暴,在神秘男子的指示下,他将目标锁定在时尚女孩杰丝(蜜米·麦克斯 Mimi Michaels 饰)的身上,一连串新的屠杀再次展开。  另一方面,重案组持续关注近段时间发生的连环杀人案,汤米则成为案件突破的关键。新的屠杀,新的噩梦,在漫漫长夜顾自展开……

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即将上映

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251月

机械姬

  效力于某知名搜索引擎公司的程序员加利·史密斯(多姆纳尔·格利森 Domhnall Gleeson 饰)幸运地抽中老板纳森(奥斯卡•伊萨克 Oscar Isaac 饰)所开出的大奖,他将受邀前往位于深山的别墅中和老板共度假期。在与世隔绝的别墅中,纳森亲切地接待了这位员工。 事实上他邀请加利到来还有另一个目的,那就是协助他完成其所开发的智能机器人的测试。天才一般的纳森研制了具有独立思考能力的智能机器人伊娃(艾丽西亚·维坎德 Alicia Vikander 饰),为了确认她是否具有独立思考的能力,他希望加利能为伊娃进行著名的“图灵测试”。似乎从第一眼开始,加利便为这台有着宛如人类般姣好容颜的机器人所吸引。  在随后的交流中,他所面对的似乎不是冷冰冰的机器,而更像是一个被无辜囚禁起来的可怜少女……

281月

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

022月

世外逃劫

  丧尸危机爆发后,一家人躲到一处偏僻的农场。然而,当他们在这个荒凉的世界求生时,隐藏多年的痛苦秘密给这家人造成了巨大阴影。

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9.7

复活节

乔·科伊,莉迪亚·加斯顿,布兰登·沃戴尔,伊娃·诺布勒札达,卡莉·波普,杰伊·钱德拉萨卡,蒂亚·卡雷尔,美乐蒂·布提乌,乔伊·吉拉,罗德尼·图,伊莲娜·郁安科,尤金·科德罗,卢·戴蒙德·菲利普斯,阿西夫·阿里,欧阳万成,伊妮德·雷伊·亚当斯,泽维尔·德古斯曼,布拉德·格伦伯格,蒂凡尼·哈迪斯,迈克尔·琼森,迈克尔·韦弗,达斯汀·伊巴拉

9.5

步履沉重

卡勒姆·特纳,格蕾丝·范帕滕,迈克尔·冯德尔,迈克·比尔比利亚,玛格丽特·柯林,路易斯·坎瑟米,雷切尔·泽格-哈格,贾蒙·华盛顿

经典重温

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9.6

约束的罪行

塞西莉亚·罗特,米格尔·安吉尔·索拉,本杰明·阿玛迪奥,索菲亚·哥拉,亚尼娜·阿维拉,迭戈·克雷莫内西,保罗·巴林托斯,马塞洛·索比奥托,玛丽娅·玛努尔,马塞洛·丹德烈亚,克拉拉·科瓦西奇

9.5

异种2

迈克尔·马德森,娜塔莎·亨斯屈奇,玛格·海根柏格,贾斯丁·拉扎德